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#	Item
311	Audition procedure for Beginning Orchestra: Add to Reading List Source URL: www.cim.edu Language: English - Date: 2014-03-27 09:52:06 Sound Musical keys Notation Sight reading Audition Musical scale Octave E major Note Music Pitch Musical notation
312	C:uments and SettingserDocumentsille 2011 Happy Fingerspy Fingers Book 2s Old Man-keys.sib Add to Reading List Source URL: www.ctdcreations.com Language: English - Date: 2011-09-16 18:12:54 Blindness Pitch Musical keys Braille Assistive technology B major Key signature Sharp Outside Music Musical notation Sound
313	USING A PERCEPTUALLY BASED TIMBRE METRIC FOR PARAMETER CONTROL ESTIMATION IN PHYSICAL MODELING SYNTHESIS Hiroko Terasawa, Jonathan Berger, Julius O. Smith Center for Computer Research in Music and Acoustics (CCRMA) Depar Add to Reading List Source URL: slis.tsukuba.ac.jp Language: English - Date: 2014-06-02 03:06:33 Acoustics Electronic musical instruments Mel-frequency cepstrum Signal processing Aspects of music Timbre Synthesizer Pitch Loudness Music Sound Waves
314	A statistical model of timbre perception Hiroko Terasawa† , Malcolm Slaney†‡ , Jonathan Berger† CCRMA† , Department of Music Stanford University, Stanford, California, USA Yahoo! Research‡ Sunnyvale, Californ Add to Reading List Source URL: slis.tsukuba.ac.jp Language: English - Date: 2014-06-02 03:06:36 Mental processes Perception Hearing Auditory perception Timbre Pitch Psychoacoustics Color model Synthesizer Music Mind Sound
315	2005 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics October 16-19, 2005, New Paltz, NY THE THIRTEEN COLORS OF TIMBRE Hiroko Terasawa† , Malcolm Slaney†‡ , Jonathan Berger† Add to Reading List Source URL: slis.tsukuba.ac.jp Language: English - Date: 2014-06-02 03:06:38 Knowledge Perception Timbre Vision Pitch Color model Loudness Color Frequency modulation synthesis Music Mind Mental processes
316	A HYBRID MODEL FOR TIMBRE PERCEPTION: QUANTITATIVE REPRESENTATIONS OF SOUND COLOR AND DENSITY A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES Add to Reading List Source URL: slis.tsukuba.ac.jp Language: English - Date: 2014-06-02 03:06:38 Auditory perception Sound Acoustics Mental processes Timbre Auditory scene analysis Psychoacoustics Perception Pitch Hearing Waves Mind
317	Automatic Melodic and Structural Analysis of Music Material for Enriched Concert Related Experiences Add to Reading List Source URL: phenicx.upf.edu Language: English - Date: 2015-01-16 03:15:28 Information retrieval Music technology Musical notation Transcription Music information retrieval Pitch detection algorithm Onset Pitch contour Pitch Music Sound Entertainment
318	Contemporary Music Review, 2013 Vol. 32, No. 1, 61–97, http://dx.doi.org[removed][removed]Compositional Procedures in Tensio Downloaded by [Ircam] at 09:35 29 April 2013 Add to Reading List Source URL: articles.ircam.fr Language: English - Date: 2013-06-24 05:10:56 Electronic music Experimental music IRCAM Synthesizer Computer music Cello Pitch Physical modelling synthesis Violin Music Sound Waves
319	Ann. N.Y. Acad. Sci. ISSN[removed]A N N A L S O F T H E N E W Y O R K A C A D E M Y O F SC I E N C E S Issue: The Neurosciences and Music IV: Learning and Memory The OPERA hypothesis: assumptions and clarifications Add to Reading List Source URL: www.nsi.edu Language: English - Date: 2012-08-02 14:52:49 Mental processes Perception Phonetics Hearing Music cognition Nina Kraus Speech perception Primary auditory cortex Pitch Mind Cognitive science Philosophy of mind
320	French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a Add to Reading List Source URL: www.bandofthewestcoast.ang.af.mil Language: English - Date: 2007-04-28 19:06:42 Symphony No. 3 Pitch class Arpeggio Musical technique Music Post-tonal music theory Horn

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